The Equalizer 3: A Symphony of Vengeance and MoralityRating: 3.25/5 

Denzel Washington returns as Robert McCall in “The Equalizer 3,” a film that continues to explore the complexities of justice and vengeance. Directed by Antoine Fuqua, the movie takes us to Italy, specifically a small coastal town in Sicily, where McCall contemplates retirement. However, his plans are disrupted by the presence of a local mafia, leading him to unleash his unique set of skills once again. The film opens with a gory aftermath, a signature of the franchise, where McCall is caught off guard for the first time. This vulnerability adds a new layer to Washington’s character, making the audience question whether salvation and peace are still achievable for him. The film’s moral compass is as rigid as ever, with characters falling definitively into categories of good or evil. Yet, it is Washington’s nuanced performance that elevates the film, adding complexity to a character who could easily have been one-dimensional. The cinematography, led by Robert Richardson, is another highlight. Whether it’s the small Italian town where McCall finds solace or the high-stakes action sequences, each setting is distinct and adds to the film’s visual appeal. Fuqua’s attention to detail is evident in every frame, making the film more than just another action-packed thriller. However, the film is not without its flaws. The villains, although menacing, lack depth and fail to offer a substantial challenge to McCall. This absence of a worthy adversary makes the climax feel somewhat flat, despite Washington’s best efforts to keep the audience engaged. Additionally, the screenplay, although better than its predecessor, still misses the mark when it comes to delivering a deeper meaning. The film also raises questions about gender representation. While McCall’s actions are directed solely against male antagonists, the film’s female characters are relegated to roles of damsels in distress or murder victims, lacking agency. This aspect could be seen as a missed opportunity to delve into more complex social issues. In conclusion, “The Equalizer 3” offers a satisfying, if somewhat formulaic, experience for fans of the franchise. It may not break new ground, but it does provide visceral kicks and moments of introspection, largely thanks to Washington’s compelling performance. If this is the final chapter in McCall’s journey, it serves as a fitting, albeit imperfect, conclusion to a trilogy that has always been about the blurred lines between justice and revenge.